I understand the image as an object before representation: a physical body that retains traces, residues, and silences. My work does not seek to construct narratives, but to activate situations of suspension—spaces where time seems to pause and meaning remains unresolved.

Memory appears in my practice not as recollection, but as sedimentation. Layers of matter, light, and surface accumulate, forming visual structures that evoke what has been present and is no longer there. Photography, ceramics, and sculptural processes allow me to work with the image as a material entity, where surface becomes a site of tension and perception is slowed down.

Through minimal architectures, fragmented geometries, and controlled chromatic fields, I explore thresholds between presence and absence, image and object, visibility and concealment. The work proposes a contemplative encounter in which the viewer is confronted with a quiet, sustained temporality—one that resists immediacy and invites a physical and reflective engagement.